The end of winter/early spring time of year is often a dreaded one for cinephiles. After Hollywood indulges in its annual self-lovemaking at the Oscars, there is a bit of a post-coital letdown where theaters are awash with usually forgettable crap. Instead of giving us films to snuggle with, the industry leaves us with the one-night stand, a series of meaningless treks to the cinema, allowing us nothing but to curb our fix. (Okay, maybe I'm overdoing it with the sex analogy, but I like it and am starting to feel a little bit aroused.)
Thankfully, though, the Florida Film Festival starts in three weeks. I'd say that the festival brings a blast of sun, warming us up from the cold of winter, but it's Orlando and, let's face it, it hasn't been cold here since around 10,000 B.C.
For many, the big name celebrities are the highlight. This year Anthony Bourdain and Jennifer Tilly will be here. Bourdain will be discussing--obviously--food and it seems FFF has been increasingly intent on introducing food and wine as a major theme in the past couple of years, possibly because they have been sponsored by various food and drink businesses and also perhaps because the main theater is the Enzian Theater, which is a dinner theater. Tilly will be here for a screening of Woody Allen's Bullets Over Broadway, a film in which she co-starred. Last year, Oscar-winning director Peter Bogdanovich was a guest for a special screening of Paper Moon and I could've listened to him talk for days. But for me, the real thrill (besides the range of movies) is seeing and listening to the unknown independent directors, producers, and actors (although I missed seeing last year's opening night guest Judy Greer and thus missed my opportunity to ask her to marry me). For many of the films here, the festival circuit is as far as they'll get and it's both inspiring and a bit sobering hearing the hardships and triumphs of these filmmakers.
I'm taking my vacation during the festival, so I will see as many movies as I can possibly see without passing out and I will try to keep a sort of log for each day I attend.
There are a few movies I already know I want to see: Hou Hsiao-Hsien's Flight of the Red Balloon, David Gordon Green's Snow Angels, and the low-budget indie (redundant?) August Evening. What these and other films hold I can't say and that's what is exciting about festivals. I know that after the 10 days are up there will be a movie (or two, or three) that I will love. What's great is that I have no idea which ones they will be.
Thankfully, though, the Florida Film Festival starts in three weeks. I'd say that the festival brings a blast of sun, warming us up from the cold of winter, but it's Orlando and, let's face it, it hasn't been cold here since around 10,000 B.C.
For many, the big name celebrities are the highlight. This year Anthony Bourdain and Jennifer Tilly will be here. Bourdain will be discussing--obviously--food and it seems FFF has been increasingly intent on introducing food and wine as a major theme in the past couple of years, possibly because they have been sponsored by various food and drink businesses and also perhaps because the main theater is the Enzian Theater, which is a dinner theater. Tilly will be here for a screening of Woody Allen's Bullets Over Broadway, a film in which she co-starred. Last year, Oscar-winning director Peter Bogdanovich was a guest for a special screening of Paper Moon and I could've listened to him talk for days. But for me, the real thrill (besides the range of movies) is seeing and listening to the unknown independent directors, producers, and actors (although I missed seeing last year's opening night guest Judy Greer and thus missed my opportunity to ask her to marry me). For many of the films here, the festival circuit is as far as they'll get and it's both inspiring and a bit sobering hearing the hardships and triumphs of these filmmakers.
I'm taking my vacation during the festival, so I will see as many movies as I can possibly see without passing out and I will try to keep a sort of log for each day I attend.
There are a few movies I already know I want to see: Hou Hsiao-Hsien's Flight of the Red Balloon, David Gordon Green's Snow Angels, and the low-budget indie (redundant?) August Evening. What these and other films hold I can't say and that's what is exciting about festivals. I know that after the 10 days are up there will be a movie (or two, or three) that I will love. What's great is that I have no idea which ones they will be.
1 comment:
Hi. Personally, I liked the sex analogy. It works. See you at work.
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